Dancer, Fourth Position Front, on the Left Leg, Edgar Degas
Edgar Degas
Dancer, Fourth Position Front, on the Left Leg
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Edgar Degas

Dancer, Fourth Position Front, on the Left Leg, 1883 – 1888 (casting 1919 – 1926)


Dimensions
43.4 x 23 x 28 cm
Physical Description
Bronze
Inventory Number
SGP61
Acquisition
Acquired in 1926
Status
Not on display

Texts

About the Work

Degas’ particular fondness for ballet was also reflected in a series of sculptures of ballet dancers in typical poses. These figures were merely study objects to better understand sequences of movements. Almost all figures are nudes, without distinct facial features and with only roughly defined limbs. Degas made them rather unconventionally, from wax, wire and crown corks. His sketchy modelling technique, the visible fingerprints and the uneven standing surfaces of the figures create a lively play of light and shadow that can be described as impressionistic.

Work Data

Basic Information

Title
Dancer, Fourth Position Front, on the Left Leg
Artist
Period Produced
School
Object Type
Physical Description
Bronze
Material
Technique
Label at the Time of Manufacture
Degas; CIRE PERDUE A. A. HEBRARD; 6/O

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1926

Work Content

Motifs and References

Genre
Main Motif

Iconclass

Primary
Secondary
  • 31AA26231 standing on one leg, the other leg forward, straight - AA - female human figure
  • 31A2513 arm stretched sidewards

Research and Discussion

Provenance

Object History
Galerie Alfred Flechtheim, Frankfurt am Main
verkauft an die Städtische Galerie, Frankfurt am Main, Juli 1926.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

The successive ownership records are separated from each other by a semicolon.

Gaps in the record of a provenance are indicated by the placeholder “…”. Unsupported information is listed in square brackets.

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Last update

25.04.2024