Related external works: Group of works

Francisco de Goya: Stier greift Picador an (aus der Folge: Die Stiere von Bordeaux), Lithografie, 1825, diverse Standorte

Francisco de Goya: Spanische Unterhaltung (aus der Folge: Die Stiere von Bordeaux), Lithografie, 1825, diverse Standorte

Francisco de Goya: Die geteilte Arena (aus der Folge: Die Stiere von Bordeaux), Lithografie, 1825, diverse Standorte

The famous American, Mariano Ceballos The Bulls of Bordeaux, 1825

Darstellung: 310 x 404 mm
Blatt: 398 x 502 mm

Physical Description: Lithography

Inventory Number: 67833

Object Number: 67833 D

Acquisition: Acquired in 2013 as a gift from Dagmar Westberg, Frankfurt am Main

Status: Can be presented in the study room of the Graphische Sammlung (special opening hours)

Texts

About the Work

Mariano Ceballos, called “El Indio”, had originally been a black slave in South America. From there he imported a form of bullfighting uncommon in Spain: he rode on the bull himself. He died in the arena in 1780 or 1781. Decades later, Goya still remembered this unusual connection between man and animal. The artist executed the lithograph in crayon, which he then partially scratched off again. The depiction has a strong spatial effect and brings the thrilling atmosphere of the bullfight arena to life.

Work Data

Basic Information

Title: The famous American, Mariano Ceballos The Bulls of Bordeaux

Lithographer

Francisco de Goya

Period Produced

19th century

Object Type

art print

Physical Description: Lithography

Technique

lithography

Label at the Time of Manufacture: Signiert im Stein unten links: Goya; gedruckt unter der Darstellung links: Déposé; unten rechts: Lith. de Gaulon; unten Mitte: El famoso Americano, Mariano Ceballos

Watermark