The Repudiation of Hagar, Moritz Daniel Oppenheim
Moritz Daniel Oppenheim
The Repudiation of Hagar
DE
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Moritz Daniel Oppenheim

The Repudiation of Hagar, 1826


Dimensions
87.6 x 68.6 cm
Physical Description
Oil on canvas
Inventory Number
1682
Acquisition
Acquired in 1922 as a gift from a private collector
Status
On display, 1st upper level, Modern Art, room 1

Texts

About the Work

Oppenheim was, above all, known for his portraits of important Jewish personalities. Yet, he also did historical paintings, such as this scene from the Old Testament: at the behest of his wife Sarah, Abraham disowns the maid Hagar and their son Ishmael; Sarah, meanwhile, can be seen sitting on the right with their son Isaac. Oppenheim’s clear, contoured style of painting and the religious topic were inspired by the art of the “Nazarenes”, whom he had become acquainted with in Rome.

Work Data

Basic Information

Title
The Repudiation of Hagar
Painter
Period Produced
School
Object Type
Physical Description
Oil on canvas
Material
Technique
Label at the Time of Manufacture
Signiert und datiert unten rechts: MOPPENHEIM (MO ligiert) / MDCCCXXVI.

Property and Acquisition

Institution
Departement
Collection
Creditline
Städel Museum, Frankfurt am Main
Picture Copyright
Public Domain
Acquisition
Acquired in 1922 as a gift from a private collector

Work Content

Motifs and References

Genre
Main Motif
Persons Shown
Illustrated Passage
  • Bibel, Altes Testament, Genesis 21,12-13

Iconclass

Primary
Secondary

Research and Discussion

Provenance

Object History
Moritz Daniel Oppenheim, Weimar
Verkauf an Caroline Rosamunde Hagenbruch, Weimar, Mai 1827
an ihre Tochter Charlotte Maria Schweitzer, geb. Hagenbruch, Weimar
...
M. Posen, Frankfurt am Main
...
Schenkung an das Städelsche Kunstinstitut, 1922.

Information

Since 2001, the Städel Museum has systematically been researching the provenance of all objects that were acquired during the National Socialist period, or that changed owners or could have changed owners during those years. The basis for this research is the “Washington Declaration”, also known as the “Washington Conference Principles”, formulated at the 1998 “Conference on Holocaust-Era Assets” and the subsequent “Joint Declaration”.

The provenance information is based on the sources researched at the time they were published digitally. However, this information can change at any time when new sources are discovered. Provenance research is therefore a continuous process and one that is updated at regular intervals.

Ideally, the provenance information documents an object’s origins from the time it was created until the date when it found its way into the collection. It contains the following details, provided they are known:

  • the type of acquisition and/or the way the object changed hands
  • the owner's name and place of residence
  • the date on which it changed hands

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Last update

25.04.2024